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The Enduring and the Ephemeral

by Steve Tyler

supported by
Tony Gerber
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Tony Gerber I recently found Steve Tyler and this album. I am really digging Steve's gurdy compositions, and playing, as well as all the instruments he plays. It puts me squarely back to the early 70s, in a very positive way... It is not easy to pick a favorite track either. They all have such personality... Favorite track: Tierceron.
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1.
2.
Chronophage 06:45
3.
4.
Caladrius 06:09
5.
6.
Tierceron 04:00
7.
Tethys 06:22
8.
Exercise Two 11:52
9.
Lullaby 07:02

about

Multitrack compositions from the imagination, based around the hurdy gurdy.

credits

released December 5, 2019

Steve Tyler - hurdy gurdies, cittern, reed organ, psaltery, guitar, bass guitar, hammered dulcimer, gothic harp, percussion.
Katy Marchant - bagpipes (tracks 5, 8), shawm (track 4), recorder (tracks 3, 5), voice (track 7)
Mike Edwards – bass viol (track 7) from a sample recorded in 2007
Jane Harbour - voice and violin (track 9)
Water (track 5) from Libbet’s Well, Crediton, Devon

Compositions by Steve Tyler except:-
Lullaby - by Steve Tyler/Jane Harbour
Exercise Two – improvisatory elements on bagpipes by Katy Marchant
Utopia Regained - thanks to Lee Holland for melodic material
Tethys – improvisatory vocal elements by Katy Marchant; solo viol improvisation by Mike Edwards.

Thanks to Nick Groom and Jeff Littlefield for the loan of instruments.

Recorded and mixed by Dave Wisdom and Steve Tyler at Brancepeth Castle, County Durham and Smythick Studio, Cornwall; completed 2019
except Tierceron recorded Brancepeth Castle, mixed by Graham Raine, Offbeat Arts, Northumberland 2007

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about

Steve Tyler England, UK

Steve Tyler is best known as a hurdy gurdy player.
For many years a performer of medieval music, his main interest is in patterns, rhythms, the interweaving of different parts and sonic structures, and to this end works on dark multitrack music mixing hurdy gurdies with dulcimer, reed organ, cittern and diverse instruments, inspired by patterns in nature, mathematics and the imagination. ... more

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